#1953#早期的安东尼奥尼被严重忽视。社会学大师自此登场。一份对战后欧洲“迷惘一代”的心理分析文本。3个故事,法国很巴黎,意大利很罗马,而英国很伦敦。最喜英国篇,后来的《放大》与之一脉相承。另:开片镜均从室外至室内。
三个故事感觉相似
Of course it's "sermon." “It doesn’t matter if the stories we’re about to tell you are true. Consider them invented because you're seeing them on the screen. Consider them true because they happen everyday.” duh
果然是纪实题材出身的导演,拍这种剧情短片也有一种浓浓的纪实味道,比较纯粹。
@MoMA